Plums

Nicholas Bielby

"Bielby has enriched English poetry throughout his life-long attention to the art. Plums has the hallmarks of his craft in its studied formal assurance, its wide-ranging consciousness and its deep historical knowledge..." - Jefferson Holdridge

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Nicholas Bielby went from grammar school in Huddersfield to Cambridge, and then to teach in India. After that, he spent most of his working life in teacher education. After retiring from Leeds University, he was editor of the poetry magazine, Pennine Platform, for 15 years. He has written four academic books and five previous books of poetry and has won numerous prizes in competitions, including the Arvon International and New Poetry.

Many of Nicholas Bielby’s poems are among the finest being written today… Each poem is more than its subject, each is a work of art in which the elements of life and language have undergone, like a chemical reaction, a transformation into something rich and strange.
- Anne Stevenson

The pleasures (his) poems offer the reader are quiet, subtle and substantial, and all the more real and lasting for their innate honesty and modesty before their subjects.
- Dick Davis

Bielby has enriched English poetry throughout his life-long attention to the art. Plums has the hallmarks of his craft in its studied formal assurance, its wide-ranging consciousness and its deep historical knowledge... Throughout the poems, there is a well of sympathy for humanity’s Job-like capacity to endure. This sympathy is felt in poems both personal and philosophical, but linked to ageing now in ways that are profoundly moving.
- Jefferson Holdridge

Down from the Hornisgrinde


A spring by the track with its stone spout
gushes inexhaustibly, cold and clear,
into a basin, overspilling it;
babbles endlessly in that stone ear.​

From how many pines dripping rain, through what
mosses seeping, what fissures, what rock-seam
interstices of the mountain’s secret heart,
pours out here a single constant stream?

The dark mouth, from dark beginnings, speaks
one pure thing constantly, to reappear
in light that scatters diamond as it breaks
its silence in the mountain’s sleeping ear.

I kneel down, cup my mouth, sip where it glistens,
silent for a moment as the black forest listens.



Halfway


Halfway across the bridge, between 'come from'
and ‘going to’, I stop – I always do - ​
and gaze down into the flowing stream,
observing how the pressure waves that bow
around the cutwater describe smooth curves
that must be mathematical; and how
the stony bottom throws up standing waves;
how strings of algae snake within the flow.

And then I look for fish, the slim torpedoes of
the trout, holding their own against the stream -
one flashes silver, then, quietly suave,
maintains its new position in the swim
with no more than a wafting of its tail...
till ‘got to’ pulls me away against my will.

© 2022 Nicholas Bielby

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